MIA (미아)

Dreams in childhood are like fairy tales. The dream of a child without the burden of reality is sometimes overly optimistic. There is no limit to the imagination of a young child, but instead, there is no specificity. It's a pure ideal, a faith without a doubt. 

It's easier than you think to break that dream. Just as you break the world of childhood at once by approaching the child who was waiting for Santa on Christmas and delivering the word, "There is no Santa," the intervention of the world easily destroys pure faith. 

This piece has an interesting remix lineup of Over the Rainbow by Judy Garland, Tristan and Isolde by R. Wagner, and Romeo and Juliet Overture by Tchaikovsky, effectively embodying the destruction of dreams and ideals through digital signal processing techniques. Sampling techniques for young children's voices were also used in this work, which plays an important role in shaping the flow of the story. This does not \create a rhythmic or clear popular genre of remix, but rather depicts two scenes of innocence and destruction through these three musical layers, and suggests a new methodology for the listener to create a story with a firm impression of the story.